A good title draws a reader in immediately. A provocative title makes the whole world sit up and take notice. And it was a provocative title that had me clicking the want-to-read button on Goodreads last week immediately, without even needing to learn more about the rest of the book. I’ve heard of Dara Horn before, but hadn’t read any of her writing before this. But when someone in one of my Facebook groups mentioned her latest book, People Love Dead Jews: Reports from a Haunted Present (W.W. Norton Company, 2021), I knew it would have to go on my list. Because that title…it’s true, isn’t it?
Dara Horn is a writer, professor, and scholar, often known for her essays on Judaism and Jewish-themed topics. But she came to the realization that she was always asked to write about dead Jews, never living ones. And this became the topic for her latest book: the world has a fascination with dead Jews, but rarely affords the same respect to living Jews. How many Holocaust novels are out there, often with a happy ending, often with a Gentile rescuer as the main character? How often do you think those happy endings happened in real life? How much do you know about the trauma suffered by survivors, the anger, the refusal of governments to help those who had lost everything, the many survivors who were murdered after leaving the camps? How many Jewish heritage sites exist around the world with no mention as to why there are no Jews living at those sites anymore? Why is The Merchant of Venice still one of Shakespeare’s most-performed plays, despite its blatant antiseminism (and what do you think that says to the Jews in your life)?
Our country’s education does a lot of things right, but it fails to instruct our students on so much of world history, and even when it does, it misses the mark in a big, big way. (Props to my daughter’s class, which is currently looking at various cultures around the world, and including a glimpse into both the history and the religions of those areas.) So many students are only exposed to the existence of Jews when they’re mass-murdered (as often happened throughout history, and continues to happen today), and they learn only what Hitler thought and taught about them- not what Jews actually are, what Jews actually do, what Jews have contributed to the many, many societies that have been home throughout the centuries. And that leads to people only appreciating and sometimes fetishizing dead Jews, and not appreciating live ones.
I can’t tell you how many times I’ve seen, in one of my online book groups, someone mentioning that Holocaust fiction is a favorite genre. (I think I actually recoiled from the computer at the last post I saw. Their post and tone were so…cheery.) Now, don’t get me wrong. I’m not saying books about the Holocaust shouldn’t be written. They should. The Shoah was a devastation that shouldn’t ever be forgotten, and writers should engage with it in order to demonstrate again and again, the horror of it all, and why such devastation and the attitudes that lead to it should be cut off before they begin. BUT. There’s definitely a trend of Holocaust rescuer books, of happy ending stories, of Nazi-guard-with-a-conscience stories. And those just aren’t reality. And we need to ask ourselves why we need those stories so badly as a society. What are we trying to convince ourselves of here? Whose stories are we leaving out when we pile on the ones with a lovely rainbow arc of redemption?
This is not an easy book to read- not for me, as a Jew; hopefully it won’t be for you, either- it’s not meant to be. It’s meant for people to take a hard look at why our world sets up Holocaust museums (which are absolutely necessary) but won’t deal with the growing wave of antisemitism spreading wider and wider. Why we’re so eager to blame Jews for their own demise, as Ms. Horn points out after yet another antisemitic murder; why newspaper articles on other murder victims don’t talk about the murderer’s frustration with Jews who had moved into the area (where the murderer didn’t even live. Imagine an article that said something like, “Understandably, Steve’s frustration only grew when his neighbor didn’t put away the dinner dishes away in her own house as quickly as he thought she should do. After a series of social media posts where he documented his unhappiness, police weren’t surprised to find her murdered body on the front lawn the next morning.” People would rage! But the article Ms. Horn quotes from, about murders at a kosher supermarket, isn’t much different).
People Love Dead Jews is a tough, thought-provoking read that is beautifully well-written (I wish I had half of Dara Horn’s brainpower). If you’ve ever looked forward to the release of a favorite author’s upcoming novel set during the Holocaust, or if this mass tragedy is the only Jewish history you’ve ever learned about, this is probably the book you need to read. (A good companion read would be Antisemitism: Here and Now by Deborah E. Lipstadt.)