nonfiction

Book Review: Case Closed: Holocaust Survivors in Postwar America by Beth B. Cohen

There are a lot of myths surrounding the Holocaust survivors who came to America after the war. They worked hard, they learned English easily (so eager were they to move beyond what had happened in Europe and forget their pasts), they integrated well into society, and they didn’t talk about their experiences. Right? Not exactly, says Beth B. Cohen, author of Case Closed: Holocaust Survivors in Postwar America (Rutgers University Press, 2006). There are a lot of stories Americans like to tell themselves that gloss over the gritty truth, and this is one of them. I knew I had to learn the whole story, and onto my TBR this book went. Thanks, interlibrary loan! (Seriously, is it not the greatest?)

Think back to what you learned about those fortunate few who survived the massacre of European Jewry during the second World War. What did you learn about what happened to them? Some of them came to the US, some of them made their way to the new country of Israel, maybe a few stayed in Europe or went elsewhere. And then what? They worked hard to assimilate and make new lives for themselves, had families, started over. Sure, that was true for some of them, but not all- maybe not even the vast majority. The agencies in the US tasked with helping them rebuild their lives had an agenda, and too bad for anyone who didn’t fit into that agenda’s narrow confines. The displaced persons who came here had one year to become self-sufficient. Health problems, emotional problems, mental illness, language difficulties, having watched your entire family murdered and being the sole survivor after having ended your education at age 10, none of that mattered. One year, and then your case was closed.

Not surprisingly, a lot of people struggled with this. The trauma the survivors had suffered was summarily ignored; work would be what cured them (…sounds familiar, doesn’t it?). Orphaned teenagers were looked at not as victims of unspeakable horror who needed specialized assistance, but as self-absorbed narcissists who expected everyone to cater to them. The physical trauma people had suffered was dismissed as being psychosomatic and a sign that these were lazy, lazy people who didn’t want to work. How dare they expect any different treatment than other newcomers to America?

Ms. Cohen delves into the difficulties different groups faced: the religious Jews who struggled to find their place in a country that didn’t respect their beliefs and way of life; the unaccompanied minors who seemed to be almost universally looked upon by both agencies and their own extended families as massive burdens; the newly-formed families fracturing under the weight of all the burdens they carried. Occasionally an understanding caseworker would come along, but the majority of them seemed to resent their clients.

The style of this book is heavily academic; it’s not a long book, but it’s packed with information and a complex understanding of the survivors’ plights via how the agencies treated them and less via their personal and emotional struggles, and thus it’s a bit of a slow read. The horror is there, though it’s often couched between the lines, but Ms. Cohen doesn’t shy away from calling the agencies and caseworkers out as insensitive and uninformed. The United States has always been a hard country that seems to view the existence of a social safety net as a weakness and a moral failure, but this book really makes it seem as though this country delights in making every situation as difficult as possible for people who have already faced some of the worst situations imaginable. I’m guessing things have not gotten much better for new refugees from places like Syria, who have witnessed terrible nightmares of their own.

If you don’t mind the more academic style, Case Closed is a really eye-opening book. It highlights the insensitivity Holocaust survivors faced from basically every corner. They did make connections amongst themselves, amongst other survivors who understood and could relate to what they’d been through, but others didn’t seem to want to listen for a really long time after the war. It’s a heartbreaking book that tells a story that shouldn’t have happened this way, a story that disappointed me, but that didn’t really surprise.

Be kind to each other, people. It’s tough out there.

memoir · nonfiction

Book Review: Here and There: Leaving Hasidism, Keeping My Family by Chaya Deitsch

Another memoir! I’ve been reading off of my TBR as usual and have been ordering a bunch of these memoirs from interlibrary loan. I’m wondering if I had found a list of Jewish-themed memoirs and that accounts for this streak in my TBR. Probably! Anyway, that’s likely how Here and There: Leaving Hasidism, Keeping My Family by Chaya Deitsch (Shocken, 2015) wound up in my reading pile. The publishing world has seen quite a few memoirs written by people who have left the Haredi world, but honestly, I’m not tired of these at all. There’s something that fascinates me deeply about the hows and whys of people who radically change the way they live- whether it’s going from living a strict religious life to a more relaxed one (or the other way around!), leaving a terrible relationship, going from rags to riches (or the opposite way around!), moving to a new country, all of these scenarios intrigue me. I’m so grateful to all the memoir authors who dig deep and allow us to take a peek into their lives and hearts and minds.

Chaya Deitsch was raised in a not-terribly-strict Lubavitch family. Lubavitchers are best known these days for Chabad houses and Mitzvah Tanks. If your city has a yearly giant menorah for Hanukkah, odds are that Chabad is responsible for it (Nashville used to have one down on Broadway by the river; it always used to make me smile when I’d drive by it every November/December). Over Chaya’s life, the movement went from being more kabbalistic and hyperspiritual to one more focused on outreach and bringing secular Jews back into regular observance. Chaya’s family lived in New Haven, Connecticut, outside of the Lubavitch center of Crown Heights, New York City, and thus, with the eyes of the community not on them full-time, the parents are more relaxed and Chaya and her sisters are allowed more freedom than most other Lubavitch girls.

From an early age, Chaya knew that life as an adult Lubavitcher wasn’t for her. The early marriage, soon followed by an ever-increasing pack of children, wasn’t what she wanted for herself. The restrictions on female worship- being separated from the men by a sheet or a mechitza (or being tucked away altogether upstairs in the balcony), not being allowed to sing, not being allowed to fully study or engage in religious debates- grated. The focus on modesty and gender-based dress standards irritated her. None of this was what she wanted for her life, though in her late teens, she made a last-ditch effort to please her parents by attending a strict British seminary (a post-high school year or two of religious study for Orthodox students).

There’s no set moment where Chaya decides to walk away; there’s no big moment where she dashes away in the night or blows up her life by making a single decision that will take her away from the fold altogether. Rather, she slowly moves away from her strict Orthodox standards, small step by small step, into a life that feels more authentic to her.

If you’re looking for major drama, you won’t find it here, but you will find a story of a woman who understands both she and her parents tried their best, and that there’s no set way to live that works for everyone. Unlike most other stories of people who have walked away from Haredi or Hasidic families and who are summarily shunned, Chaya still manages to maintain a good relationship with her family. They may not fully understand her, and she may not fully admit to them all the parts of her new life that don’t jive with how they live, but they’ve kept each other, a testament to the strength of their bond and the unconditional love of her parents. This is a really big deal and I have to say I was extremely impressed with how understanding her parents are. I hope I can always accept the choices my kids make with such grace.

This is a really lovely memoir of a woman who recognizes early on that what she’s raised with isn’t right for her- not because she wants to act out or defy anything in a religious sense, merely because it’s just not a good fit, and I find that incredibly admirable.

Follow Chaya Deitsch on Twitter here.

memoir · nonfiction

Book Review: TREYF: My Life as an Orthodox Outlaw by Elissa Altman

Sometimes it’s hard to write a review of a memoir. The best memoirists are able to craft a narrative of their lives that centers around a theme, that has a direct story arc that continues throughout the story and wraps up in, if not a full conclusion, then an understanding that makes the whole story make sense, that shows the growth and maturity the author has experienced. This is what I hope for from every memoir I delve into (and I read a lot of them; it’s a genre I enjoy, because I appreciate the glimpse into someone else’s life), but I had a harder time with this in TREYF: My Life as an Unorthodox Outlaw by Elissa Altman (Berkley Books, 2016).

The definition of ‘treyf’ is something that is unkosher and forbidden. Ms. Altman writes a lot about what made her family treyf, and what made her treyf: her family’s departure from the religious and ritualistic aspects of Judaism; their consumption of unkosher foods; her preparation of pork products in her deceased grandmother’s kosher kitchen; the dawning realization that she’s not entirely straight (a much bigger issue in the 80’s and 90’s than today).

Despite its occasionally focus on unkosher foods, this is really a memoir of a dysfunctional family. Mom and Dad’s marriage was strained and unhealthy. Mom pushed her daughter towards seriously unhealthy eating habits. Grandma had some seriously repressed sexuality. The creepy neighbor moved away quickly after it became known that he had a thing for little girls; Ms. Altman alludes several times that she was one of those little girls, as well as being molested by a teenage neighbor (neither is written about in graphic detail, but heads up if this is a difficult topic for you). The family is close but struggles in a lot of ways, for a lot of reasons, and their struggles are common to both families from that era, and to families who have survived trauma or who have recently immigrated in the past few generations.

The memoir ends on a depressing note; Ms. Altman remarks that she is exactly the person her family made her to be, and that if you belong everywhere, you actually belong nowhere, a thought that gave me pause. Who do we become when assimilation is the end goal? Should assimilation be a goal at all? Why? Are we stronger instead as separate pieces of a mosaic?

I enjoyed this book as a story of a family with its own deep-seated difficulties, but that wasn’t what I had expected going in. The use of the phrases ‘treyf’ and ‘unorthodox outlaw’ had me expecting a memoir akin to Deborah Feldman’s Unorthodox, but instead, this was more along the lines of a random family that just happened to be Jewish and who rarely interacted with the religious aspects of it (which is fine! I’m not at all judging that, to be clear. I had just expected a memoir about a woman who had moved away from the religion she had been raised with, and instead found a story where her father fed her canned Spam as a girl).

So I didn’t dislike this, but I didn’t love it, either. Her descriptions of her grandmother’s goulash sounded incredible, however (even though I don’t eat meat!). Food is always better when it’s cooked with love, and it sounded like Ms. Altman’s grandmother packed that dish full of it. 😊

Visit Elissa Altman’s website here.

Follow her on Twitter here.

fiction · historical fiction

Book Review: Year of Wonders by Geraldine Brooks

Who doesn’t love reading about a good plague? (Just open any news site, and…) I was waiting for my next interlibrary loan holds to arrive and grabbed a book off my own shelves, one that’s been sitting there for quite a while (as have most of them, sadly!). The book happened to be Year of Wonders by Geraldine Brooks (Penguin Books, 2002). I’d barely gotten into it before I realized the story was set in a small English town in 1666…during the time of the Bubonic plague. Yiiiiiiiiikes. I momentarily considered choosing another book- haven’t we had enough plague already???- because I wasn’t sure I’d be able to handle it, but I decided to keep going, and I’m glad I did. I’d read and enjoyed Ms. Brooks’s People of the Book a few years ago, and I’m pleased to say that my enjoyment of her writing as a whole continues. Despite its heavy subject matter during these times, Year of Wonders is a beautifully written novel.

Anna Frith is a young widow, living in a small English village with her two young boys in 1666. Cobbling together an existence from her flock of sheep and her work as a servant for one of the wealthier families in town and at the rectory, she finds joy in her sons but keeps mainly to herself. She takes in a boarder, a young male tailor, in order to supplement her meager income, and just as it seems as though the two of them might have a future together, he succumbs to a terrible illness. Soon, as more people fall ill, rumors begin swirling that people are fleeing the bigger cities, trying to outrun this deadly disease, and the town’s minister helps the townspeople come to an agreement: they’ll seal off the town and remain within its borders in order to prevent the spread of disease to the towns and villages beyond.

What follows is a tale of terror and exhaustion, one far too many of us know well after this past year, of death beyond measure, of people acting hysterically and abandoning their fellow man in his hour of need, of taking advantage of others’ fears and pain. But it’s also a story of bravery, of care and love beyond what could possibly be expected, of pushing ourselves to the point of exhaustion in order to provide what others cannot. Anna’s deep friendship with Elinor, the minister’s wife, provides moments of solace and hope; her growth throughout the novel reminds readers of what they’re capable.

This is a beautifully written book. Normally, I tend to shy away from novels that skew more toward the literary end of the spectrum, but with Year of Wonders, I can confidently call myself a fan overall of Geraldine Brooks. Her skill in immersing the reader in the year 1666, of painting such vivid pictures of the landscape and houses and possessions of the people who lived at this time is remarkable; this is an easy book to get lost in, and the amount of research necessary to so fully recreate such a world must have been staggering. What a gift Ms. Brooks possesses.

I worried that the exhaustion of the past year would have made this difficult to read, but there are enough differences in the behavior of today versus the behavior of Anna’s fellow townspeople that I needn’t have been concerned. Over half the people in Anna’s town died, and they do so at home, in full view of those who live there, compared with today, where we tuck the sick away and have laws about patient privacy (and thus we haven’t seen much of what Covid wards actually look like, which conceals a lot of the horror from Covid deniers). Regular townspeople are tasked with burying the dead; there are no crematoriums on the edge of town that people can ignore and pretend aren’t in operation day and night in order to keep up with the exploding death toll. In some ways, perhaps forcing people to confront the reality of the situation is a more effective means of dealing with a deadly epidemic (although, given the article I saw where a woman shrieked at the medical staff on the Covid floor where her husband had just died, that they were all a bunch of crisis actors and Covid wasn’t real, perhaps not…). There’s a bit of a twist at the end that I didn’t quite see coming, but that I felt fit in well with the rest of the story, and it wound up making the ending much more pleasant than I had foreseen.

I never expected a book so full of terror and death to be so beautiful, but Ms. Brooks’s writing makes it so. This is only my second Brooks book; I’m looking forward to reading the rest of her books, because I’ve enjoyed the two that I’ve read so very much. The Secret Chord is specifically on my TBR, so that’ll probably be my next of hers.

Visit Geraldine Brooks’s website here.

Follow her on Twitter here.

nonfiction

Book Review: Stars of David: Prominent Jews Talk About Being Jewish by Abigail Pogrebin

A few years ago, I read and deeply enjoyed My Jewish Year: 18 Holidays, One Wondering Jew by Abigail Pogrebin. She wrote about her year of observing every single Jewish holiday (having not previously observed most of them), and what she learned from this, about Judaism, herself, and her place in Judaism. It’s a really neat book, a great primer on the Jewish holidays, and I appreciated her takes on the holidays I was fuzzy on. So when I learned she had written a book interviewing Jewish celebrities about being Jewish, I knew I wanted to read more of her writing. I put Stars of David: Prominent Jews Talk About Being Jewish (Broadway Books, 2005) on my TBR and was fully prepared to request it from interlibrary loan, but wouldn’t you know, I ran into a copy of it at the used bookstore earlier this month (first time I stopped there in over a year!), and it just so happened to follow me home.

Each chapter in Stars of David focuses on a different well-known Jewish personality, and Ms. Pogrebin questions them on what being Jewish means to them. Are they observant? (Most aren’t.) Why or why not? What have their experiences been with antisemitism? What does being Jewish mean if you’re not observant? How has it shaped you and your life, your personality, your family? What are you hopes for your children, your grandchildren, in terms of Judaism? What do you think the Jewish future looks like?

While this book is by now a bit dated in terms of the people she interviewed (a depressing number of the people she interviewed have since passed on; many are no longer as active in public life as they were when these interviews took place), it’s still an interesting take on the many, many ways one can be Jewish. There are a handful of people who are in some way observant and who are a bit grumpy with those who aren’t, or who at least don’t even know what it is they’ve rejected; others roll their eyes at the idea of engaging with the more religious aspects of Judaism (which is a lot different from Christianity; the phrase Judeo-Christian gets thrown around a lot, but I haven’t met a single Jewish person who appreciates its use, because the two are just so far apart in terms of belief, action, thoughts about what God is, and so much more). There are political figures, actors and directors and television personalities, people from the financial industry, athletes, musicians, Broadway stars, and more.

If you’re my age (40!) or older, these are the celebrities you grew up with and heard about constantly on television, and it’s a nice look back at…well, most of those voices. (I can’t say I loved the interview with Dr. Laura Schlessinger- remember her? I’m sorry if you do- who makes sure to weaponize her Judaism just as she does everything else, and then of course whines when people point out how repulsive that is. *yawn*) It’s a lovely look into a part of their lives that you may not have spent much time considering, about a part of themselves they find meaningful in a variety of different ways, and how they express that part.

Visit Abigail Pogrebin’s website here.

Follow her on Twitter here.

nonfiction

Book Review: The Bible Doesn’t Say That: 40 Biblical Mistranslations, Misconceptions, and Other Misunderstandings by Joel M. Hoffman

Language is complicated. Translation is often far more of an art than a science, and it’s easy to get things wrong- wayyyyyyyyyy wrong- and even more so with documents that are ancient and don’t conform to today’s standards of grammar, syntax, and punctuation. Nowhere is this more evident than in matters of Biblical translation, and when I learned about the existence of The Bible Doesn’t Say That: 40 Biblical Mistranslations, Misconceptions, and Other Misunderstandings by Dr. Joel M. Hoffman (Thomas Dunne Books, 2016), my curiosity was piqued. What else could I learn about the foibles of improper translation and the misconceptions that have become canon?

In the tradition of Bart Ehrman’s Misquoting Jesus: The Story Behind Who Changed the Bible and Why, though written in a much less academic style, Dr. Hoffman shines light on forty separate biblical ideas that aren’t quite what the general public (and often the very religious) think they are. Sometimes the translations are wrong. Sometimes there’s no direct translation, so something gets a little lost and the meaning is vague or unclear. Occasionally, ideas have been twisted (sometimes to fit an agenda, sometimes due to being passed down the line like a game of Telephone- remember that one?). The most famous Psalm paints a picture of God as a shepherd, but it’s not quite the gentle minder that we think of today. Mistranslations of the Ten Commandments hang in public spaces across the US. Most Jews know that the complete laws of kashrut (keeping kosher) don’t come from the Bible, but a lot of Christians are apparently unaware of that. Forty separate chapters illustrate how difficult and contentious parsing out the true textual meaning can be, and how easy it is to get things wrong.

Never stooping to talk down to his audience, Dr. Hoffman explains the hows and whys of Biblical translation and the shortcomings of language in a way that will have readers questioning what else they’ve misunderstood or been misinformed about. While some of his examples may seem just this side of nitpicking in terms of translation, most chapters show more serious transgressions. Both Hebrew and Greek contain concepts that English doesn’t necessarily have easy translations for, and time and time again, the best attempts of multiple translators have led to serious misunderstandings. This is nothing if not a fascinating study in how mistranslations can shape civilizations and cause others to shape their own lives in ways they wouldn’t have otherwise.

If you’re interested in the subject of Biblical translation, The Bible Doesn’t Say That is likely right up your alley. On a personal level, there wasn’t a *ton* I hadn’t come across in my previous reading, but his style is open and friendly and presents the information in a way that challenges the reader to think, which is something I appreciate in an author. He’s never confrontational in tone, merely informative- hey, when we’ve been wrong, we’ve been wrong, and it’s important to admit that!- and that makes this a really enjoyable read.

Visit Dr. Joel M. Hoffman’s website here.

Follow him on Twitter here.

nonfiction

Book Review: Mad Scenes and Exit Arias: The Death of the New York City Opera and the Future of Opera in America by Heidi Waleson

Opera! I enjoy opera. I haven’t yet been able to see one in person (or even a performance streamed live to theaters from the Metropolitan Opera! Those look so cool), but maybe one day. I ran into Mad Scenes and Exit Arias: The Death of the New York City Opera and the Future of Opera in America by Heidi Waleson (Metropolitan Books, 2018) in the library a few years ago and thought it looked interesting. I’m always wanting to learn more about the subjects I enjoy, and here was this fascinating-looking book on the New Books shelf. I didn’t have the time or mental space for it right then, so onto the list it went…and there it sat. Until my latest library trip.

New York City Opera opened in 1943 and was known as ‘The People’s Opera,’ the alternative to the flashier and more expensive Metropolitan Opera. Serving a lot of European immigrants who had enjoyed this flashy art form in their home countries, the NYCO struggled with finances almost from the beginning. Make no mistake, opera is monstrously expensive to stage; from scenery and costumes to paying the performers and musicians, it’s nearly impossible to run an opera organization and remain comfortably and regularly in the black. Subsidies, grants, and charitable donations are vital, but NYCO ran at a deficit almost all the time.

Year after year of struggling leadership and desperate financial moves that only kicked the problems a little bit down the line doomed the organization, but it limped along until filing for bankruptcy in 2013. New leadership cropped up and brought NYCO back in 2016, but its long-term success remains to be seen, especially in light of the financial troubles brought into existence by the Covid-19 pandemic, which has crippled the entire arts industry.

So, this book wasn’t exactly what I was expecting. I was thinking it was more of a history of the New York City Opera, that I was going to be reading stories of demanding divas, scenery that malfunctioned, performances that triumphed and flopped, chorus members who bickered and requested bigger roles, and costume troubles. Nope. This was almost entirely all about the financial troubles of the NYCO. There were few stories about individual performers or performances, very little about the arts side of the organization. Just finances. I started to question why this book was shelved with the books about music in my library and not in the business section.

If you’ve ever wondered about the difficulties of running a major arts organization in a country that views culture as optional and something only for the privileged, this is probably the book you need, because it definitely illustrates how little America cares as a whole for cultural and artistic institutions such as opera (in Europe, arts organizations enjoy government subsidization, because the government understands that their commitment to the arts is a large part of what makes their countries so appealing and beautiful. That allows the artists to focus on their art forms and performances and not have to scramble for funding the majority of their time. This is absolutely not the case in the US).

Not quite the book I was expecting, and honestly, it got to be a bit of a slog. I don’t regret having read it, but I was really looking forward to more of a look into the people of the NYCO and not just its financial books. It’s definitely something that’ll stick with me, however; it’s given me a much deeper appreciation for the struggle American arts organizations face.

Visit Heidi Waleson’s website here.

Follow her on Twitter here.

nonfiction

Book Review: What’s Your Pronoun?: Beyond He and She by Dennis Baron

“What’s your pronoun?”

She/her/hers. They/them. He/them. Xie/hir.

Pronouns are popping up all over: in social media bios, in our screennames on our nine million daily Zoom calls, in applications and various forms we’re asked to fill out (I just wrote out my pronouns in a volunteer application about fifteen minutes ago. LOVE that they asked). Odds are you’ve come across at least one person who uses what is thought of as a non-traditional pronoun; I know several in person and many more online who do. But is this really a new phenomenon? Not at all, says Dennis Baron in his study of the subject, What’s Your Pronoun?: Beyond He and She (Liveright, 2020). This went on my list as soon as I learned about its existence; I’m a bit of a language nerd, so the subject interested me, but I’m also interested in being the best ally I can, so I knew I needed to learn more.

English is seriously lacking in a common-gender pronoun. What’s commonly used is they/them, but grammar fascists have long had their issues with that. (Insert eyeroll.) This isn’t a new problem. Dennis Baron points out that what we think of as ‘alternative’ pronoun use in the US goes back to the 1780’s, and that’s only how far back we’ve been able to dig up written sources. And singular ‘they,’ as in ‘I saw someone at your house, but they ran off when they saw me’ has been in use since 1376, according to the Oxford English Dictionary. If you’re looking for a book to convince a family member that your pronoun use isn’t just some modern-day fancy, this will help you clarify points and back up your argument. (Not that you should have to; your choices about your identity and how you want to be addressed are valid regardless.)

While at times this book is a bit of an information dump, it’s interesting and informative, and it’s written in a jaunty, fun style that doesn’t exhaust the brain to take it all in. The struggle to use English in a way that suits our needs in terms of identity has been going on for a long time, and it’s chock-full to the brim with whiny, tantrum-throwing men who gasped as though someone had kicked their puppy when it was suggested that maybe women didn’t enjoy being referred to as the generic he (as in, ‘If a guest doesn’t enjoy steamed fish, he is welcome to order something else off the menu’). “Men in power accepted the generic masculine only when it didn’t require them to give up too much,” Mr. Baron states, and then presents this to the reader in example after infuriating example (He meant men in terms of rights, like who could vote, but it meant men AND women in terms of punishment. SUPER CONVENIENT, RIGHT?!!?!?? *ragescream*).

Language changes. Uses change. New words crop up. If you don’t think that’s true, try explaining the sentence ‘I downloaded the browser extension, but then my modem disconnected and I bluescreened’ to someone from 1950. What is eternal is respect and how we treat each other, and though it may take some practice to use pronouns that you aren’t necessarily familiar with, if you can remember to use a woman’s new last name when she gets married and changes it to her husband’s, you can also remember to refer to your friend’s kid or your co-worker as ‘them’ or ‘hir’ when you speak about them. It’s not hard, and it’s not new.

Dennis Baron has really shed a lot of light on how far back the struggle for a gender-neutral pronoun goes. I had no idea that ze, for example, traces back to 1864. And one of the most fascinating quotes I found in the book refers to ‘em, as in “The dogs are missing! We need to find ‘em!”:

‘…the informal ‘em, so common in speech, is not a reduced form of them, but a holdover from the old plural object form hem, with unpronounced h.

Fascinating! I never knew that!

Lots of history and information and men throwing fits because they didn’t want to share society with women (seriously, dudes, get over it. Who raised you???), but you’ll learn a lot about the English language and its use throughout history. It’s really true that everything old is new again in terms of pronoun use. 😊

Visit Dennis Baron’s blog here.

Follow him on Twitter here.

fiction · science fiction · YA

Book Review: Chaos on CatNet (CatNet #2) by Naomi Kritzer

Imagine a world that seems pretty normal. It’s mostly like ours, with smart phones and computers and people enjoying coffee in cutesy little cafes…and then a drone whizzes by. And after that, a robot dog trots past you, careful to avoid the driverless taxi as it crosses the street. That robot dog is still new enough to the tech scene that a few people turn to stare. That’s the world Naomi Kritzer has created in her CatNet series and in which we find ourselves again in her second and latest book featuring Steph and friends, Chaos on CatNet (Tor Teen, 2021). I’ve gushed in the past about Naomi’s Catfishing on CatNet and Cat Pictures Please and Other Stories (which I read before I started blogging, but seriously, if you read *one* book I recommend, this is it, and I don’t even normally like short stories!), but man, she just keeps getting better and better.

Full disclosure: I’ve known Naomi since around 2002. We’ve been part of the same small online parenting group since then, but my reviews are entirely independent of that. I enjoyed but didn’t love her Fires of the Faithful, which was a little outside of my normal reading wheelhouse at the time- it’s well-written, but fantasy isn’t usually my thing. I’m telling you this so that you’re confident that my review is impartial enough to be trusted. These CatNet books are amazing.

Steph is back, finally settled down in the Minneapolis-St. Paul area with her mother, after a life on the run from her father. Her father is in prison, awaiting trial; things are going well, albeit long-distance, with her girlfriend Rachel; her friends from the CatNet Clowder, including sentient AI CheshireCat, are still supportive; and she’s starting a new school. There’s another new girl there as well. Nell has just left (somewhat unwillingly) the Christian cult she lived in with her mother, who has disappeared. She now lives with her father and his polyamorous wife and girlfriends- it’s a complicated situation, but Steph and Nell find a lot to bond over with their shared unconventional backgrounds.

Not all is well, though. The social media networks Steph and Nell are using are sending bizarre messages, asking them to complete strange tasks that increasingly cause Steph to suspect that these networks are being run by the other sentient AI out there- the one who isn’t her cat picture-loving friend, CheshireCat. CheshireCat shares her fears, and it’s starting to look like Nell’s former cult group (along with Nell’s mother) and Steph’s mother’s dangerous former business partner Rajiv may be involved as well. When the sentient AI-controlled networks begin causing riots and explosions in Minneapolist-St. Paul, will Steph, CheshireCat, and friends be able to intervene in time to stop the chaos from spreading across the country?

My synopsis doesn’t do this near-future YA thriller-with-excellent-queer-rep justice. This is serious edge-of-your-seat reading, one that I didn’t find stressful like I do most thrillers, just deeply intriguing. I blew through this book in less than twenty-four hours, and given my lack of reading time these days, you *know* that means it’s incredible. Steph is mature for her age- who wouldn’t be, after the life she’s led with her mother?- but she’s still subject to the longings of a teenager’s first experience with love. Nell shares in her awkwardness of having been raised in a deeply unconventional way, but hers is more acute, and she’s more wary than Steph. I really enjoyed watching the dynamics of their new friendship play out.

The Minneapolis-St.Paul area, or at least its weather, is as much of a character here as any human or sentient AI, as it features heavily during many of the book’s scenes. Steph and Nell are often out in brutally cold temperatures and this becomes a factor in a lot of their decisions. Nell’s former cult is also another huge part of the book that you know pulled me right in. I may have gasped when I got to that part (Naomi has a degree in religion, so various forms of this often appear in her stories. I love that I know this).

The sci-fi aspects of this aren’t over-the-top; I’m not a sci-fi person, but this was just straight-up interesting. It’s set in the near-future, where technology is just a little more advanced than what we have right now, and all that plays into the plot. It’s not so tech-y that I (who isn’t the most tech-y person out there) was confused, but the story was based in a reality that even I could imagine as stemming from the technology we have now. I never really saw myself as someone who would enjoy- actually LOVE- a series of books where a sentient AI is a main character, but CheshireCat is an utter delight, as is this book, and its companion.

You don’t need to have read Catfishing on CatNet to enjoy Chaos, but both books are so much fun and so enjoyable, why wouldn’t you? I highly recommend this whole series; you won’t regret it.

Visit Naomi Kritzer’s website here.

Follow her on Twitter here.

nonfiction

Book Review: Browsing Nature’s Aisles: A Year of Foraging for Wild Food in the Suburbs by Eric and Wendy Brown

Finally! Finally, it’s warm out when I’m reading a book about foraging! Normally, it’s freezing and there are twenty feet of snow on the ground, a fact that never ceases to amuse me. Perhaps I’m just looking for a taste of warmer weather when that happens. This was more coincidence; Browsing Nature’s Aisles: A Year of Foraging for Wild Food in the Suburbs by Eric and Wendy Brown (New Society Publishers, 2013) had been on my TBR for quite some time and it was time to move it off of there. Thanks, interlibrary loan!

Eric and Wendy Brown, who live in suburban Maine, realized they wanted a more local, more sustainable way of life. They began to garden, they bought some chickens, they started to frequent their local farmer’s market. But they realized that this wasn’t enough, and that to supplement their diet, they needed to check out what nature was providing all around them for free. Starting with their own yard and branching out to the wide-open spaces around them, they began to learn the local plants that most people regarded as weeds or nuisances. Taking classes with urban foraging experts and instructors and learning from mycologists, they built up their confidence in identifying edible plants, fruits, roots, and mushrooms, and began to supplement their diet with items they foraged themselves.

This isn’t an instructional book. There are no, “Here are the plants that are safe to eat, here’s how you identify them and what you do with them once you’ve got them in your kitchen.” It’s the recounting of one couple’s adventures during a year of foraging in Maine. They talk about why they got started foraging (this part is a little doomsday-style depressing; it’s not necessarily inaccurate, just something to watch out for if you’re in a poor mood at the time) and their successes and failures, and all the reasons why urban foraging is a good idea. It’s not a bad story, but to be fully honest, I didn’t necessarily find anything new or inspiring in it, either.

I’m always impressed and a little bit baffled by people who live in the suburbs but who manage to find all sorts of wild-growing food. We have things like chickweed and common plantain and dandelions growing in our yard, of course, but there aren’t really stands of wild berries or apple trees growing nearby that are free for the taking. There are no empty fields where we can forage. All the forest preserves around us have signs all over explicitly stating that removing any kind of nature from the preserve is strictly forbidden. I’m very honestly unsure of where on earth we would find the kinds of things these authors are constantly stumbling across. There’s just not a lot of nature around us that we’re allowed to take things from, at least, not that I’m aware of. Maybe I’m just missing out. Our local community college did offer an evening prairie walk, pre-pandemic, where an instructor would walk with the participants and point out edible plants. I had planned on signing up for that, but, well, you know. I’m sure that’ll come back in 273489374923 years, when this is all over…

So this book was just okay for me. It wasn’t quite what I was expecting, and I didn’t find the writing to be terribly interesting. It wasn’t bad, by any means, but it was no Stalking the Wild Asparagus, either.